Werkverzeichnis von Natalia Domínguez Rangel
Biografie
Titel ↓↑ Absteigend sortieren | Entstehungsjahr ↓↑ | Dauer | Gattung(en) | Besetzung | Hinweise |
---|---|---|---|---|---|
"Overlap" from the series Acoustic Ecologies | 2020 | Klanginstallation | |||
10'01'' | 2016 | 10m 01s (loop) | Klanginstallation | Elektronik | |
5.1 | 2016 | Ensemblemusik, Elektronische Musik | Quartett, Elektronik | ||
A melancholic tyrant – ‘Sirirí’ | 2015 | Klanginstallation | Elektronik | ||
After Beuys | 2020 | Klanginstallation | |||
All We Do Is Live | 2017 | Klanginstallation | Elektronik | ||
Anamnesis | 2021 | Klanginstallation | |||
Attending to Agnes | 2018 | Filmmusik | |||
Box of Pain | 2017–2018 | Klanginstallation | |||
Connecting Acoustic Spaces | 2020–2022 | Klanginstallation, Elektronische Musik | Elektronik | ||
Corrupted Air – Act VI | 2018 | Multimedia/Intermedia/Video, Klanginstallation | Elektronik | ||
Dirt and Class | 2019 | Performance, Multimedia/Intermedia/Video | |||
ENDLESS | 2022 | Ensemblemusik | Kammerorchester/Ensemble | ||
ENTSCHIEDEN PSYCHOLOGISCH - der Blick des Wilhelm Salber | 2019 | Filmmusik | |||
Étude 1 - between the artificial and the natural. | 2020 | Elektronische Musik | Elektronik | ||
Étude 2 - between the artificial and the natural. | 2020 | Elektronische Musik | Elektronik | ||
Eviction in Shenzhen | 2018 | Filmmusik | |||
Failed Architecture | 2018 | Radiophonie / Hörspielmusik | |||
FEMALE ORGASM | 2021 | Elektronische Musik | Elektronik | ||
G#m prelude | 2018 | Sololiteratur | Soloinstrument(e) | ||
HCT rooted Freq | 2019 | ||||
Hmm | 2014 | 1h | Performance | Elektronik | |
HOWL | 2019 | Performance, Klanginstallation | |||
HYPERNATURES | 2022 | Performance, Klanginstallation | Elektronik | ||
I feel you | 2020 | Klanginstallation | Elektronik | ||
Inevitable Imprint: Sunbathing Under Electromagnetic Waves | 2020 | Multimedia/Intermedia/Video | Elektronik | ||
Isotropy | 2017 | Klanginstallation | Elektronik | ||
L I S T E N | 2019 | Klanginstallation | Elektronik | ||
Las casas del Ferrocarril | 2008 | ~ 8m | Ensemblemusik | Oktett | |
LUMEN | 2020 | Vokalmusik | Chor, Frauenchor | ||
Palace Ruin | 2016 | 14m 25s (loop) | Klanginstallation | Elektronik | |
Pfaueninsel | 2016–2019 | Filmmusik | |||
Resurrections | 2014 | Filmmusik | |||
Revitalise | 2015 | Filmmusik | |||
RRRRR | 2016 | Performance | Elektronik | ||
Ruins In Reverse | 2014 | Elektronische Musik | Elektronik | ||
Sacapotras | 2008 ? | ~ 2m | Sololiteratur | Soloinstrument(e) | |
Sculpting Fear | 2015 | Performance, Klanginstallation | |||
SHE WOLVES | 2019 | Videospielmusik | |||
Silbersee | 2015 | Filmmusik | |||
SOFT SKILLS | 2020 | Performance | Elektronik | ||
Song Cycle - Convulsions of Time | 2015 | 55m | Ensemblemusik, Vokalmusik, Elektronische Musik | Solostimme(n), Duo, Elektronik | |
Speech Perceptions | 2009 | ~ 6m | Ensemblemusik | Kammerorchester/Ensemble | |
Split Hatch Mutable Double | 2019 | Filmmusik | |||
Statisch Vooruitgangsmonument | 2008 | 23m | Filmmusik, Ensemblemusik | Quartett | |
The Fluttering Being | 2022 | Filmmusik | |||
The Invisible | 2019 | Ensemblemusik, Vokalmusik | Solostimme(n), Duo, Elektronik | ||
The Sasha | 2019 | Filmmusik | |||
Un tirano meláncolico | 2015 | 11m | Klanginstallation, Elektronische Musik | Elektronik | |
Under Saturn (Act 1 & 3) | 2018 | Filmmusik | |||
Untitled experiment with no image | 2017 | Filmmusik | |||
WINDSHIELD | 2021 | Klanginstallation |